They're more tomboyish than the usual example - these girls can play basketball and sing at the same time. Idol singer trio Eclipse in Basquash!.When Tomo from Azumanga Daioh gives up on attaining the look of anime character Fujiko Mine, she settles for setting her sights on looking like Real Life idols Ryoko Hirosue (in the manga) or Ayumi "Ayu" Hamasaki (in the anime).Marginal #4 follows the daily high school lives of the four members of the titular boy band, plus their senpai and kouhai units, Lagrange Point and Unicorn Jr.Dream Festival! is a project about boy idols which, sadly, has ended.The entire soundtrack is made up of AKB48 songs, and the fictional idols use the real dance moves that correspond to each song. Similar to the above is AKB0048 which is set in a sci-fi future where the main characters are AKB's 77th generation of trainees.The main characters of AKB49 Renai Kinshi Jourei are training to be idol singers, and the group which they are part of, AKB48, exists in real life.Later on, the darker aspects of the idol industry are explored when a Loony Fan starts stalking and harassing Retsuko since he doesn't like the direction the group is going in after she joined, culminating in him trying to stab her in public with a boxcutter. Retsuko becomes the group's accountant after she accidentally backs into their producer's van, and she later joins the group herself. The third season of Aggretsuko introduces OTMGirls, an underground idol group who's still trying to make it big.The Japanese public took interest in her, and later started referring to female singers who shared her aesthetic as an "idol." Her song "La plus belle pour aller danser" sold more than a million copies in Japan at the time. Sylvie Vartan, the Trope Codifier, was 18 at the time and played a secondary character who was a singer. The 1964 French film Cherchez l'idole, released in English as The Chase, was the film that spearheaded the Idol Singer movement in Japan and what defined idols as a whole.The other wiki has more information about the history of idol singers. Do not confuse with the singer Billy Idol. The Western equivalent of this trope is a Teen Idol, which may overlap. If an idol is a villain in a Superhero or Magic Idol Singer show, they might be an Evil Diva. During The New '10s, the Idol Singer trope collided with the anime industry to form the Idol Genre, always on the lookout for new trends to sell Moe merchandise and Dating Sim games. However, a comparable equivalent in the West is the Disney Channel due to holding a similar image that idol singers are expected to portray. Westerners are more likely to find the way they are marketed as exploitative and are often shocked by how strict their Contractual Purity clause is. Some fans may get possessive and believe idols should be Married to the Job, which may lead to Yoko Ohno if a dating scandal happens.Īs the Idol Singer trope is more prevalent in Japan and South Korea, there is Values Dissonance involved in the fan culture and how the performers are marketed. Idols are specifically marketed to create a strong emotional connection with their consumer fan base for the sake of buying their merchandise, and in doing so, fans are viewed as loyal supporters who carry them throughout their career. The relationship between idols and their fans is also a notable feature, as their longevity is co-dependent on each other. Some idols move onto becoming serious actors and singers, while the less successful ones end up becoming a Former Child Star. Most idols change careers after the age of 25 due to the industry valuing freshness and youth. Idol companies are known to ruthlessly discard their talents after a few years of cranking out formulaic hits for any reason they want, or bind them in long contracts. ![]() While this level of control has loosened somewhat with the growing impact of social media, which allows idols to interact with fans more casually, as well as a Japanese court decision that effectively rendered the "no dating" clauses of idol contracts unenforceable (it's still very in-force in Korea, however), the industry has been slow to overturn its most problematic and exploitative elements. Most are tightly controlled by their producers and expected to maintain a public image of purity and innocence for brand and marketing purposes through Contractual Purity. ![]() There has been a shift towards "mega-groups" due to them being more financially successful than solo singers. ![]() The concept and marketing model for idols originated from Japanese Pop Music but has also appeared in Korean Pop Music since the 1990s.
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